The Austrian Government would not allow the Gambas of the countess Guiccioli to remain at Pisa. As a half measure Byron took a villa for them at Montenero near Leghorn, but as the authorities were still dissatisfied they removed to Genoa. On reaching Genoa Byron took up his quarters with the Gambas at the Casa Saluzzo, "a fine old palazzo with an extensive view over the bay," and Hunt and his party at the Casa Negroto with Mrs Shelley. Life at Genoa was uneventful. Of Hunt and Mrs Shelley he saw as little as possible, and though his still unfinished poems were at the service of The Liberal, he did little or nothing to further its success. Each number was badly received. Byron had some reason to fear that his popularity was on the wane, and though he had broken with Murray and was offering Don Juan (cantos VI.-XII.) to John Hunt, the publisher of The Liberal, he meditated a "run down to Naples" and a recommencement of Childe Harold. There was a limit to his defiance of the "world's rebuke." Home politics and the congress of Verona (November-December 1822) suggested a satire entitled "The Age of Bronze" (published April 1, 1823). It is, as he said, "stilted," and cries out for notes, but it embodies some of his finest and most vigorous work as a satirist. By the middle of February (1823) he had completed The Island; or Christian and his Comrades (published June 26, 1823). The sources are Bligh's Narrative of the Mutiny on the Bounty, and Mariner's Account of the Tonga Islands. Satire and tale are a reversion to his earlier method. The execution of The Island is hurried and unequal, but there is a deep and tender note in the love-story and the recital of the "feasts and loves and wars" of the islanders. The poetic faculty has been "softened into feeling" by the experience of life.