e.g. “Lady H.: she lets her clever tongue run away with her.

Lady C.: is that the only Mrs. Allonby allows to run

away with her?” (p.99)

In this example the pun is realised in the remark of the second person. The first meaning of the expression “to run away with” – is “not to be aware of what you are speaking”, and the second meaning is “to make off taking something with you”. The first meaning is figurative and the second is direct. In some cases the pun is realised in the remark of one and the same person, as in the following examples:

e.g. “Mrs. Allonby: the one advantage of playing with fire is

that one never gets even singed.

It is the people who do not know how to play with it

who get burned up”.(p.100)

Here the first meaning of the expression “to play with fire” – “to singe” is direct, and the second “to spoil one’s reputation” is figurative.

e.g. “Jack: as far as I can make out, the poachers are the

only people who make anything out of it.” (p.297)

The first meaning of the expression: “to make out” – “to understand” is figurative, and the second – “to make benefit from something” is direct.

But there are such examples, when pun is realised in the remark of the third person and in this case it is he (she) who is the main source of interference:

e.g. “Lady C.: Victoria Stratton? I remember her perfectly. A

silly, fair-haired woman with no chin.

Mrs. Allonby: Ah, Ernest has a chin. He has a very

strong chin, a square chin. Ernest’s chin is far too square.

Lady S.: But do you really think a man’s chin can be

too square? I think a man should look very strong and

that his should be quite square.” (p.115)

As a rule, when two meanings of the word are played upon, one of them is direct, the other is figurative, which can be illustrated by some of the above mentioned examples. So, we can see, that irony and pun also play the very important role in Wilde’s plays. The effect of these stylistic devices is based on the author’s attitude to the English bourgeois society. Thus irony and pun help Wilde to show that majority of his heroes are the typical representatives of the bourgeois society: thoughtless, frivolous, greedy, envious, mercenary people. They call themselves “Ladies and gentlemen”, but with the help of these stylistic devices Wilde shows that intelligence is their mask. Credit must be given to Wilde for being brilliant in his witticism. A play upon contrasts and contradictions lies at the basis of author’s sarcastic method in portraying his characters. The dynamic quality of Wilde’s plays is increased by the frequent ironical sentences and puns. These stylistic devices convey the vivid sense of reality in the picture of the 19-th century English upper-class society.

Wilde’s realism with its wonderful epigrams and paradoxes, brilliant irony and amusing puns initiates the beginning of a new era in the development of the English play.

EPITHET

Epithet is another stylistic device used by Oscar Wilde.

According to Prof. Galperin I.R., Epithet is a stylistic device based on the interplay of emotive and logical meaning in an attributive word, phrase or even sentence, used to characterise an object and pointing out to the reader and frequently imposing on him.15

According to Prof. Sosnovskaya V.B., Epithet is an attributive characterisation of a person, thing or phenomenon. It is, as a rule, simple in form. In the majority of cases it consists of one word: adjective or adverb, modifying respectively nouns or verbs.16

e.g. “I tell you that had it ever occurred to me, that such a

monstrous suspicion would have entered your mind, I

would have died rather than have crossed your life.”

(p.64)

Epithet on the whole shows purely individual emotional attitude of the speaker towards the object spoken of, it describes the object as it appears to the speaker. Epithet expresses a characteristic of an object, both existing and imaginary. Its basic features are its emotiveness and subjectivity: the characteristic attached to the object to qualify it is always chosen